Sounds for ROLAND Keyboards & Modules

All JD-800 banks contain 64 new programs and easy loading instructions.

1) JD801 - Urban Pop Collection is an inspiring bank of sounds designed for Top 40, R&B, rap, industrial and other dance-oriented musical genres. You’ll find plenty of funky basses, clean percussion, faithful synthesizer emulations, contemporary pianos, electric and acoustic guitars, bizarre sound effects and much more! 

2) JD802 - New Age Collection is an indispensable grab-bag of timbres useful for all new age styles of music. You’ll find warm Rhodes pianos, crystalline bells, solid and transparent acoustic pianos, electric & acoustic guitars and other plucked instruments, solo saxophones, plus a generous assortment of breathy pads and mood-evoking atmospheric and special effects textures. The “Special Set-Up” includes new and useful percussion sounds specially constructed for this bank.

3) JD803 - Film Textures is a collection of  powerful  atmospheric  voices, metallic industrial timbres, ambient special effects and exciting synthesizer sounds, all perfectly suited for  film and soundtrack work. In addition to street noises, machines, vehicles, weather sounds and science fiction effects, there are souped-up analog synth sounds and even distorted guitar type timbres. This bank also includes an entirely new “Special Set-up” consisting of  new percussion sounds created specifically for this bank.

4) JD805 - Progressive Artist Collection is a vibrant myriad of specialized textures, all designed for rich and expressive playing styles, including rock, R&B, jazz and even soundtrack work. Includes punchy basses, analog & digital synth emulations, luscious brass, breathy pads, percussive hits & stabs, cutting guitar leads and much more!  Sounds include “Hell Raiser,” “Analog Funk,” “Padded Vibe,” “Stanley Clarke,” “Jupiter Strings,” “PianoRhodes,” “Emerson B3,” “Acrylic Jello,” “Gothic Brass” and more.

5) JD806- Jupiter Textures boasts impressive emulations of one of the most important classic analog synths of yesteryear: the Roland Jupiter 8. The Jupiter 8—along with its successors the Jupiter 6 and SuperJupiter module—found its way onto legendary recordings by Duran Duran, Howard Jones, Devo and others in the 1980’s. Now Sound Source fuses those classic sounds with all the advanced performance features of the JD-800, providing the artist with a powerful palette of musical diversity.

6) JD807 - Hybrid Textures contains an exciting and useful array of analog and digital timbres. These are synthesizer sounds in the truest sense, ranging from clear and transparent to warm and granular, from sharp and distorted to cool and liquid. The JD-800’s exciting effects are used to the fullest extent in this bank, making this collection a must for any JD-800 owner.

All JD-990 banks contain 64 new programs and easy loading instructions. 

JD901 - JD905 - Converted from our JV-80 library

1) JD901 - “Country / Folk / Acoustic” is a fantastic collection of acoustic and electric guitar sounds, classical and folk plucked instruments, even zydeco and cajun timbres like washboard, accordion, and jew's harp! This is a comprehensive selection of CD-quality sounds for your country and folk compositions, including stringed instruments like fiddle and cello, as well as “down-home” sound FX like gurgling swamps, crickets, and birds. Also features a convenient sequencing template and useful splits and layered sounds in the performance section.

2) JD902 - “Animated Textures” contains ethereal, atmospheric, and dramatic mood-evoking textures for your next musical or film scoring project.Timbres range from cutting edge, avant-garde experimental sounds to beautiful spectral vocal pads, shimmering bell-tones, sweeping strings, dramatic percussion patches and more! You’ll also find electric & acoustic pianos, nature sound FX (ocean waves, rain & birdcalls), plus legendary D-50  patches like “Fantasia” and “Staccato Heaven.”

3) JD903 - “JV R&B Synths” contains synthesizer-oriented sounds in the R&B, Dance, Hip-Hop and New Jack idiom. Included are many of the traditional staple sounds of those styles, as well as new and unique sounds that expand and enhance your timbral palette for exciting new arrangements within those styles. Sounds include “Hammers++,” “Orch.Hit 1," “Sub Basement,”  “AttackStrings,” “VoxxBoxx” and “Growlerz” as well as 16 performances.

4) JD904 - “Hybrid Textures” is filled with everything from outstanding emulative patches to modernistic electronic “cutting edge” sounds. This bank offers a wealth of distinctive production overlay voices for any type of music, as well as covering a wide spectrum of tonalities from big, full, rock-oriented leads to delicate shimmering digital pads. Sounds include “Gargantuan,” “Digiworld,” “Cello Room,” “Rezoswept” and many more.

5) JD905 - “Sequencer Companion” for the JD-990—a specially programmed bank is designed to fill the needs of those who are using the JD as a multi-timbral “workstation” in conjunction with a sequencer or computer. It features a wide musical selection of the fattest, richest single oscillator voices possible, making it possible to work out complex multi-part arrangements without compromising sound quality! For those who want the best of both worlds, the sixteen performances provide plenty of ear-pleasing “mega” sounds, and serve as instructional starting points for your own performance creations. Sounds include “Acoustic Piano”, “Slap & Pop Bass,” “Male Ohh,” “Org Vox,” “Wire String,” “Triangle,” “Fretless & Uprite Bass,” “Spark Vox,” “Wave Scan”, “Synth Saw1," “Fine Wine,” “Spectrum” and many more.

JD906 - JD911 - Converted from our JD-800 library

6) JD906 - “Urban Pop Collection” is an inspiring bank of sounds designed for Top 40, R&B, rap, industrial and other dance-oriented musical genres. You’ll find plenty of funky basses, clean percussion, faithful synthesizer emulations, contemporary pianos, electric and acoustic guitars, bizarre sound effects and much more! 

7) JD907 - “New Age Collection” is an indispensable grab-bag of timbres useful for all new age styles of music. You’ll find warm Rhodes pianos, crystalline bells, solid and transparent acoustic pianos, electric & acoustic guitars and other plucked instruments, solo saxophones, plus a generous assortment of breathy pads and mood-evoking atmospheric and special effects textures. The “Special Set-Up” includes new and useful percussion sounds specially constructed for this bank.

8) JD908 - “Film Textures” is a collection of powerful atmospheric voices, metallic industrial timbres, ambient special effects and exciting synthesizer sounds, all perfectly suited for film and soundtrack work. In addition to street noises, machines, vehicles, weather sounds and science fiction effects, there are souped-up analog synth sounds and even distorted guitar type timbres. This bank also includes an entirely new “Special Set-up” consisting of new percussion sounds created specifically for this bank.

9) JD909 - “Progressive Artist Collection” is a vibrant myriad of specialized textures, all designed for rich and expressive playing styles, including rock, R&B, jazz and even soundtrack work. Includes punchy basses, analog & digital synth emulations, luscious brass, breathy pads, percussive hits & stabs, cutting guitar leads and much more! Sounds include “Hell Raiser,” “Analog Funk,” “Padded Vibe,” “Stanley Clarke,” “Jupiter Strings,” “PianoRhodes,” “Emerson B3,” “Acrylic Jello,” “Gothic Brass” and more.

10) JD910 - “Jupiter Textures” boasts impressive emulations of one of the most important classic analog synths of yesteryear: the Roland Jupiter 8. The Jupiter 8—along with its successors the Jupiter 6 and SuperJupiter module—found its way onto legendary recordings by Duran Duran, Howard Jones, Devo and others in the 1980’s. Now Sound Source fuses those classic sounds with all the advanced performance features of the JD-990, providing the artist with a powerful palette of musical diversity.

11) JD911 - “Hybrid Textures” contains an exciting and useful array of analog and digital timbres. These are synthesizer sounds in the truest sense, ranging from clear and transparent to warm and granular, from sharp and distorted to cool and liquid. The JD-990’s exciting effects are used to the fullest extent in this bank, making this collection a must for any JD-990 owner.

All JV-80 banks contain 64 new programs and easy loading instructions.

1) JV801 - “Country / Folk / Acoustic” is a fantastic collection of acoustic and electric guitar sounds, classical and folk plucked instruments, even zydeco and cajun timbres like washboard, accordion, and jew's harp! This is a comprehensive selection of CD-quality sounds for your country and folk compositions, including stringed instruments like fiddle and cello, as well as “down-home” sound FX like gurgling swamps, crickets, and birds. Also features a convenient sequencing template and useful splits and layered sounds in the performance section.

2) JV802 - “Animated Textures” contains ethereal, atmospheric, and dramatic mood-evoking textures for your next musical or film scoring project.Timbres range from cutting edge, avant-garde experimental sounds to beautiful spectral vocal pads, shimmering bell-tones, sweeping strings, dramatic percussion patches and more! You’ll also find electric & acoustic pianos, nature sound FX (ocean waves, rain & birdcalls), plus legendary D-50  patches like “Fantasia” and “Staccato Heaven.”

3) JV803 - “R&B Synths” contains synthesizer-oriented sounds in the R&B, Dance, Hip-Hop and New Jack idiom. Included are many of the traditional staple sounds of those styles, as well as new and unique sounds that expand and enhance your timbral palette for exciting new arrangements within those styles. Sounds include “Hammers++,” “Orch.Hit 1," “Sub Basement,”  “AttackStrings,” “VoxxBoxx” and “Growlerz” as well as 16 performances.

4) JV804 - “Hybrid Textures” is filled with everything from outstanding emulative patches to modernistic electronic “cutting edge” sounds. This bank offers a wealth of distinctive production overlay voices for any type of music, as well as covering a wide spectrum of tonalities from big, full, rock-oriented leads to delicate shimmering digital pads. Sounds include “Gargantuan,” “Digiworld,” “Cello Room,” “Rezoswept” and many more.

5) JV805 - “Sequencer Companion” for the JV-80—a specially programmed bank is designed to fill the needs of those who are using the JV as a multi-timbral “workstation” in conjunction with a sequencer or computer. It features a wide musical selection of the fattest, richest single oscillator voices possible, making it possible to work out complex multi-part arrangements without compromising sound quality! For those who want the best of both worlds, the sixteen performances provide plenty of ear-pleasing “mega” sounds, and serve as instructional starting points for your own performance creations. Sounds include “Acoustic Piano”, “Slap & Pop Bass,” “Male Ohh,” “Org Vox,” “Wire String,” “Triangle,” “Fretless & Uprite Bass,” “Spark Vox,” “Wave Scan”, “Synth Saw1," “Fine Wine,” “Spectrum” and many more.

U-20 “Artist Series” (U201)

Artist Series features three separate categories: Sound Patches, Sequencing Templates and Keyboard Patches. This makes for a sophisticated musical toolkit perfect for all your demanding pop, rock, R&B, jazz, blues (yes, blues) and soundtrack applications. Includes complete patch descriptions and performance notes for optimum use.Sounds include “Steel Strings,” “Sheehan,” “Ghosts,” “Stab,” “Stevie,” “Lukather,” “Funk It Up” and more.

PATCHES:

11) Bosendorfer: Acoustic Grand Piano, cross splits between different brightness levels for more realistic performances. C2 has no effect.

12) The Telephone: Bell-based pad. A breath attack is brought in with velocity. There is a descending high frequency component. C2 controls the frequency.

13) Orchestra: A multi-layered pad of orchestral string sounds. The component changes over time.

14) Foster: Based on a piano pad, there is a high-frequency descending component, with strings brought in with velocity. C2 drastically affects the decay of the low velocity component.

15) The Attic: Mellow and warm at low velocities. Has a sharp, bright attack when played hard. C2 changes the attack rate at all velocities.

16) Judgment Day: Perfect for film scoring, this sound has a variety of textures split not only by velocity, but by keyboard zones as well. High velocities bring in a descending element, the frequency of which is controlled with C2.

17) Go West: Using C2 can change this from a strong, bright keyboard sound to a tangy synth pad.

18) Heralds: A heavenly mixture of tines and choir. C2 controls the release time from percussive to infinite.

21) Steel Strings: A string pad with bite, but C2 will mellow it. By varying the attack time, this pad goes from a crisp pad to a mildly digital-sounding wash.

22) 12 String Guitar: A true 12-string patch. The natural range of a guitar begins at E2. Each note is doubled with an octave above from E2-B3, and with the same note detuned from C4 on up. C2 controls the decay rate from ringing to staccato.

23) Lukather: Ultimate power chord!

24) Gibson L-4: Six stereo steel strings. C2 changes the duration of the notes.

25) Landau: A clean electric guitar. Velocity cross splits between picked and muted sounds, with C2 affecting the picking style.

26) Jaco: The epitome of fretless bass. C2 varies the attack rate. Use the pitch wheel to slide between notes while varying the attack for incredible realism.

27) Funk It Up: A two handed bass patch. Use the “Down One Octave” keyboard patch to access the left hand. The range goes from D1 to C#3, then start over again at D3 for two-fingered realistic playing. C2 changes held notes to tiny mutes, slaps and pops, or anything in between. Each hand cross splits between fingered and slapped or poped, with different elements for each in each hand, making “real” bass parts infinitely simpler.

28) Sheehan: Similar to Funk It Up. This patch uses picked and slapped bass with a mellow chorus instead of a funky flange. Playing techniques are the same as Funk It up.

31) Maynard: Incredibly responsive trumpet. Cross splits between soft & muted, and bright & brassy, while at the top of the velocity range it adds a slight gliss up for those screaming high notes. C2 turns sustained notes into tiny chirps and squeals.

32) Clarence C: Similar to Maynard, but with a variety of sax samples. Great for rock & roll tenor sax parts. C2 automatically swells the volume.

33) Stab: A horn stab with a one octave slide. C2 controls the speed of the slide, from a blip to a day.

34) Tower of Power: A stereo horn section. Velocity changes the chord from a straight dominant to a minor 7 chord at moderate velocities, to a major 7 chord at the top of the range. C2 affects the attack rate for automatic swells.

35) Sanbourne: THE pop alto sax. Performance parameters are similar to Clarence C, but the sounds & processing are dripping wet for pop sax lines.

36) Toto Brass: A powerful mixture of real and synthetic horns with percussive transients added in. C2 alters the low frequency component.

37) Super J: One of the original synth horn sounds. C2 affects pitch bend at the attack.

38) ObxAHorns: Tough & gritty synth horn pad. C2 changes attack time.

41) Big Mini M: A tight Mini Moog bass. Use C2 to alter the attack rate.

42) PPG: From the tight & resonant to the huge & gritty. Use C2 for control.

43) Science: Snappy synth bass. C2 adds reverberant modulated element.

44) Axel F: A combination of synth bass and bright FM style synth. C2 removes the bass component by increasing the decay rate.

45) Runaway: Heavy analog synth pad. C2 removes the gritty element.

46) Anastack: A velocity cross-split between different Oberheim-type gritty analog synth pads. C2 slider adjusts the decay rate of the sawtooth waveforms and leaves smoother, rounder synth and string cross-splits.

47) Van Halen XA: Sawtooth OBXa type of synth pad. C2 adjusts the attack time.

48) Super D-50: C2 adjusts this from a heavy D-50ish pad to a tight, percussive sound. Low velocities have a heavy emphasis on steel guitar and Fairlight breath samples.

51) Kryptonians: A large M1 type of pad. C2 alters the frequency of the descending component.

52) Ghosts: A complex sound with tremendous pitch crossing elements. C2 affects the attack rise time.

53) Magic Piano: A fosterish piano pad. Higher velocities bring in a bell sound while C2 removes the strings from lower velocities.

54) Fissures: A deep soundtrack-oriented sound. C2 turns this into a tight attack transient with a fairly abrupt cut-off.

55) Asylum: Reminiscent of the huge M1 type of breathy pad sounds. There is a slowly descending high frequency element in the background. C2 controls the decay rate of the steel string element at low velocities.

56) Brass Fits: A huge synth and real brass section. C2 adjusts the attack time for an automatic swell.

57) Choir Bells: Huge church bells and synth breath make for a dramatic pad, while adjusting C2 turns it into a percussive attack transient.

58) Old West: A sound familiar to everyone who’s ever watched an old western. Adjusting C2 eliminates the high frequency component at the upper end of the velocity curve.

61) Choir Heaven: Choir, synth breath, bell and tine sounds come together to create a huge wash of sound. C2 adjusts the relative levels of the components.

62) Ice: A percussive sound with criss-crossing delays. C2 turns the main element into a percussive attack transient while retiaing the delays. A must for film scorers.

63) Toto: L.A. Keyboard pad. C2 decreases the sustain.

64) Soundtracks: The name says it all. C2 changes attack time.

65) Stevie: A synth-clav/synth bass-sound. Gritty, tight and big. C2 increases the rate of decay.

66) L.A.: Level 42-type of piano pad. C2 increases the low component.

67) Foster Angels: Synth sound of the 90s. C2 adjusts the frequency of the descending component.

68) Ocean: Play!

Note: drum kits are mapped in the following pattern:Kick 1: C3, D3Claps: C#3Cowbell: D#3Snare: E3, F3Sidestick: F#3Closed HiHat: G3–A#3     (G#3 mutes B3, A#3 mutes C4)Half Open HiHat: B3, C4Open HiHat: D4, E4Foot Closed HiHat: C#4     (mutes D4 Open HiHat)Cabasa: D#4Tom Set 1: C5, B4, A4, G4 (hi to low)

Tom Set 2: A#4, G#4, F#4 (hi to low) Cymbal Cup (muted): C#5Crash Cymbals: D5, D#5, E5, F5Ride Cymbals: G5, A5, B5

Sequencing Templates:
71) Rock Set 1• CH1: 2-hand bass• CH2: Heavy Guitar• CH3: Picked electric guitar• CH10: Rock drum set
72) Rock Set 2• CH1: 2-Hand Bass• CH2: Heavy Guitar• CH3: Analog Synth• CH10: Rock Drum Set #2
73) Rock Set 3• CH1: Full Range Bass• CH2: Picked Electric Guitar• CH3: Fairlight Breath• CH4: Heavy Guitar• CH5: Analog Synth• CH10: Rock Drum Set #2
74) Rock Set 4• CH1: Full Range Bass• CH2: Muted Electric Guitar• CH3: Organ• CH4: Brass Section• CH5: Rhodes• CH10: Rock Drum Set #1
75) Rock Ballad 1• CH1: Fingered Bass• CH2: Acoustic Guitar• CH3: Heavy Guitar• CH4: Acoustic Piano• CH5: Fairlight Breath• CH6: Bright Electric Piano• CH10: Rock Drum Set #1

76) Rock Ballad 2

• CHI: Fretless Bass

• CH2: Heavy Guitar

• CH3: Acoustic Piano

• CH4: Strings

• CH5: Picked Electric Guitar

• CH6: Bright Electric Piano

• CH10: Rock Drum Set #1

77) Blues Set 1

• CHI: Fingered & Slapped Bass

• CH2: Picked Electric Guitar

• CH3: Organ

• CH4: Brass Section

• CH5: Acoustic Piano

• CH10: Rock Drum Set #1

78) Blues Set 2

*CHI: Fingered & Slapped Bass

• CH2: Picked Electric Guitar

• CH3: Sax

• CH4: Brass Section

• CH5: Bright Trumpet

• CH10 Rock Drum Set #2

81) Jazz Set 1

• CH1: Acoustic Bass

• CH2: Acoustic Piano

• CH3: Rhodes Electric Piano

• CH4: Picked Electric Guitar

• CH5: Muted Electric Guitar • CH6: Sax

• CH 10: Jazz Drum Set

82) Jazz Set 2

• CHI: Fretless Bass

• CH2: Acoustic Piano

• CH3: Organ

• CH4: Muted Electric Guitar

• CH5: Bright Trumpet •CH6: Sax

• CH10: Jazz Drum Set

83) Full Horn Sec

• CH1: Soft Trumpet

• CH2: Bright Trumpet

• CH3: Sax 1

• CH4: Sax 2

• CH5: Brass Section •CH6: Brass Section

• CH10 Rock Drum Set #1

84) Vel Horn Trio

• CH1: Trumpet

•CH2: Sax

• CH3: Brass Section

• CH10: Techno Drum Set

85) Orchestra

• CH1: Fast Strings

• CH2: Slow Strings

• CH3: Fast Breath Pad

• CH4: Soundtrack

• CH5: Flute

• CH6: Double Strings

• CH10: Jazz Drum Set

86) Folk Set

• CHI: 12-String Guitar

• CH2: Acoustic Piano

• CH3: Fretless Bass

• CH4: Slow Strings

• CH10: Jazz Drum Set

87) Synth Stack

• CH1: Synth Bass

• CH2: Synth 2

• CH3: Synth 4

• CH4: Synth 6

• CH5: Saw Wave 1

• CH6: Jupiter Bend 2

• CH10: Techno Drum Set

88) Blank Sequencing Template: All sounds panned center, no effects, receiving on consecutive MIDI channels 1-6, with the rhythm part receiving on channel 10. All parts are set on timbre 1: Acoustic Piano, with timbre change enabled.

U-20 “Stage & Studio” (U202)

Stage & Studio is a bank which provides plenty of sonic spice to easily overused “meat and potato” patches of the U20 to insure that your music stands above the crowd. Basses, pads, comps, leads, and alternative drum kits ensure that you’ll have all the necessary tools for demanding session recording and live applications. 

PATCHES:

11) Piano Man: Beautiful grand piano patch played inside a large hall. The best piano sound in town.
12) Stack Man #1: A blend of brass, strings, marimba, and analog synth. Very thick patch.
13) Attack Synth: Bowed-like panning analog. synth sound with a touch of steel strings. Chorus gives you a unique and rich sounding patch.
14) Sunday Stack: Choir backed by an organ, blended together to give you a thick heavenly pad.
15) Sound Track #1: Play one note and et suspended chords mixed with strings and things which gives you patch idea for your next suspense thriller.
16) Voices: A mixed choir of voices (male and female) blended with an airy, breathiness type sound, gives this patch a sound of its own.
17) 98.6: A blend of acoustic guitar, strings and bells make a beautiful new-age type sound for that romantic touch.
18) Airpipe: A circus of metal pipes blowing air for a carnival atmosphere.
21) Piano/Strs: A gorgeous layer consisting of a grand piano mixed with a variety of thick strings. A sound you can play for ever and ever.
22) Guitar/Strs: Another gorgeous layer consisting of a steel string acoustic guitar and rich strings.
23) Voice Rhodes: An electric piano mixed with a touch of angels. A patch made in heaven.
24) Julia: Piano, acoustic guitar and voices gives this patch a sound with class.
25) Soundtrack #2: A rich pad for that killer soundtrack. Stereo delay adds a very ethereal effect.
26) Oct Piano: One note plays your grand piano in two-handed octaves. 27) E Piano: A hot and jazzy electric piano sound for a blues-rock jazz feel.
28) DO/ME: B3 organ layered with a steel string guitar makes a nice percussive blend.
31) Bend Stack: Blend of new age sounds with a portamento like bend.
32) Stack Man #1: A huge layer of synths and strings makes a big wall-cracking patch.
33) Heavy: A split layer having a velocity bending synth lead on the right side of the key-board and a B3 organ layered with a cranking electric guitar on the left.
34) Choir: Male and female voices come to sing loud and clear in a huge cathedral.
35) Fantasy: A fairy-tale like sound has bells and strings mixed together in a perfect blend for a patch to fit your most revealing fantasies.
36) Arpeggio #1: A stereo panning arpeggiated marimba layered with lush strings. A very unique patch. The arpeggiated marimba is assigned to midi channel #2.
37) String Choir: Cellos and violins mixed together with a large hall reverb make a warm lush choir of strings.
38) Night Lights: Soothing, panning, percussive new-age like bells with a choir of angels. A Patch for the 90's and beyond.
41) Hot Bass: A blend of slap bass with a hint of fretless bass gives you a solid chorused bass patch.
42) Split Man: The keyboard is split three ways: acoustic bass on the left, acoustic piano in the middle, and vibes on the top. A very jazzy patch.
43) Brass: Bright and big brass section mixed with a hint of synth and spacious reverb.
44) String City: A warm and mellow string patch with concert-hall reverb.
45) A Bass/Piano: A split with acoustic bass on the left and grand piano on the right.
46) 2-Note Brass: Trumpets blast out with this patch. Play one note and get a fantastic, full sound of brass.
47) Church #1: A monster mix of choir, strings, and various instruments give you a patch only heard in London's biggest cathedrals.
48) Frt Bass/Rhodes: A split patch with a Jaco-like fretleess bass on the left, and a Rhodes-like electric piano on the right.
51) Choir #2: Another choir patch with more men and women added to the choir, which in turn gives you a thicker blast of heavenly voices.
52) Flute Man: A traditional flute sound good for that mellow, soothing, flowing lead solo. Stereo panning and hall reverb make this a great sounding patch.
53) Piano/Shaku: This patch enables you to play piano on the left and add an eastern touch with a shakuhachi on the right.
54) Pan Guitar: An acoustic steel-string guitar panning back and forth creates a very romantic touch.
55) Frt Bs Piano: A split of that killer fretless bass on the left, and a hard-sounding electric piano on the right. Jam, man.
56) Church #2: Church organ combined with the big, rich sound of an orchestra & choir.
57) Bass/Flute: The left side of the keyboard gives you an acoustic bass, the right side sings out with a beautiful flute.
58) Sax Man: A nice, smooth-sounding sax patch for a jazzy, bluesy sax solo.
61) Piano Mix: A unique blend of acoustic and electric pianos adds a very nice touch to this patch.
62) Organ B3: Percussive clicky organ with a fast-turning rotary speaker and reverb. Great for jazz rock, or blues.
63) Soundtrack #3: A sound of a different kind for those mood-making movie scores. This patch has a special charm all its own.
64) Stackman #2: This patch leans toward an analog synth type sound with a touch of new age. A very expressive patch.
65) Nights Piano: A gorgeous moody blend of acoustic piano, strings, and a choir of angels. Slight delay and stereo panning add the icing to this incredible-sounding patch.
66) Jazz Man: Brass band and a touch of organ gives this patch a day-in-the-park feel any jazz person could love.
67) Angel: Just like the name says, this patch sounds like an angel from the heavens.
68) Mellow Grand: A very romantic patch. A little different than the "Piano Man" patch.
71) Big Brass: Only a couple of notes need be played at one time with this patch to get that big brass section.
72) Bs-Strs Pino: A split and layered patch consisting of slap bass on the lower end and a strings and acoustic piano layer on the top.
73) F Bass/Synth: A split with the fretless bass on the left, and an analog synth sound on the right.
74) Synthy #2: An analog synth mix with airy tones. Gives you the synth sound of the 90s.
75) Yo Strings: A special blend of string instruments gives you another beautiful sounding patch.
76) 12 Str-Split: A 12-string guitar backed by some pretty strings are on the right side of the keyboard, and a fretless bass has the left side of the keyboard.
77) A Bass/Organ: A keyboard split with acoustic bass on the left and a B3-type organ on the right. Great for blues.
78) A Bass/Vibe: Splitting the keyboard once again: acoustic bass on the let and great sounding vibes on the right.
81) Random Notes: Hold down any chord and the U-20 key-board will arpeggiate the notes in a random fashion.
82) Arpeggio #2: A nice layered sound track patch, having an arpeggiate marimba-type sound, floating in between other sounds. A very cool patch. The arpeggiated marimba is assigned to midi channel #2.
83) Velos Piano: Play lightly on the keyboard and you get angels singing. Play harder and in comes the grand piano and orchestra.
84) Velos Guitar: Play lightly on the keyboard and you get a 12-strip guitar. Play harder and the brass band comes in.
85) Rock On: A split and layered patch consisting of fretless bass mixed with heavy guitar on the left, and a rock and roll piano on the right.
86) Synth Lead: A buzzy, analog, classic Moog-type lead sound with warm added effects.
87) Miles Rhodes: An electric piano blend reminiscent of the classic Wurlitzer electric piano and the classic Rhodes electric piano.
88) Weird Science: An effect-type patch based on a PCM sample loop. Excellent in stereo for your next mystery scifi pic.